VOLT -AS THE TRIUMPHS- produced Chips Moman | ||||
year | label | number | side-A | side-B |
---|---|---|---|---|
1961 | Volt | 100 | Burnt Biscuits (by Chips Moman) | Raw Dough (by Chips Moman) |
KAB -AS THE TRIUMPHS- produced Chips Moman | ||||
year | label | number | side-A | side-B |
---|---|---|---|---|
1963 | Kab | 45- 2600 | Big Dog (by Chips Moman) | Humid (by The Triumphs) |
MGM -AS THE GENTRYS- produced by Chips Moman with paper sleeve | ||||
year | label | number | Side-A | side-B |
---|---|---|---|---|
1965 Dec. | MGM | K-13432 | Spread It On Thick 2:24 (by John Hurley, Ronnie Wilkins & Bill Cates) | Brown Paper Sack 1:45 (by Larry Rogers) |
MGM -AS RONNIE & THE DEVILLES- produced by Chips Moman | ||||
year | label | number | Side-A | side-B |
---|---|---|---|---|
1966 Feb. | MGM | K-13460 | Tragedy 2:05 (by Burch & Nelson) | Oh Love (by Jordan & Fargie) |
MGM -AS SANDY POSEY- produced by Chips Moman | ||||
year | label | number | Side-A | side-B |
---|---|---|---|---|
1966 May. | MGM | K-13501 | Born A Woman (by Martha Sharp) | Caution To The Wind (by Gene Dobbins & Rayburn Anthony) |
MGM -AS SANDY POSEY- produced by Chips Moman | ||||
year | label | number | Side-A | side-B |
---|---|---|---|---|
1966 Sep. | MGM | K-13612 | Single Girl (by Martha Sharp) | Blue Is My Best Color (by Sandy Posey) |
MGM -AS WAYNE CARSON- produced by Chips Moman | ||||
year | label | number | side-A (Matrix :N50,172) | side-B (Matrix :N50,175) |
---|---|---|---|---|
1966 | MGM | K- 13641 | Me And My Little Noise Maker 2:13 (by Wayne Carson Thompson) | Julie Anna's Gone 2:23 (by Wayne Carson Thompson) |
MGM -AS SANDY POSEY- produced by Chips Moman | ||||
year | label | number | Side-A | side-B |
---|---|---|---|---|
1967 Feb. | MGM | K-13702 | Shattered (by Wayne Carson Thompson) | What A Woman In Love Won't Do (by John D. Loudermilk) |
MGM -AS ROOSEVELT GRIER- produced by Chips Moman & Dan Penn | ||||
year | label | number | Side-A | side-B |
---|---|---|---|---|
1967 Mar. | MGM | K13698 | Yesterday 2:30 (by Lennon & McCartney) | Slow Drag 2:13 (by Roosevelt Grier) |
ATLANTIC -AS PATTI LABELLE AND THE BLUEBELLES- Side-A produced by Chips Moman & Dan Penn Side-B produced by Bert Berns | ||||
year | label | number | Side-A | side-B |
---|---|---|---|---|
1967 May | Atlantic | 45-2408 | Dreamer 2:22 (by Dan Penn & Spooner Oldham) | Unchained Melody (by Hy Zaret & Alex North) |
MGM -AS SANDY POSEY- produced by Chips Moman side-A : strings arranged by Bill McElhiney | ||||
year | label | number | Side-A | side-B |
---|---|---|---|---|
1967 May | MGM | K-13744 | I Take It Back (by Buddy Buie & J. B. Cobb) | The Boy I Love (by Sandy Posey) |
ATLANTIC -AS ESTHER PHILLIPS- produced by Chips Moman & Dan Penn | ||||
year | label | number | Side-A | side-B |
---|---|---|---|---|
1967 Jul. | Atlantic | 45-2417 | Cheater Man 2:20 (by Dan Penn & Spooner Oldham) | I'm Sorry 2:28 (by Dub Alberton & Ronnie Self) |
ATLANTIC -AS SOLOMON BURKE- produced by Dan Penn & Chips Moman | ||||
year | label | number | Side-A | side-B |
---|---|---|---|---|
1967 Aug. | Atlantic U.K. | 584122 | Just As I Am 2:58 (by Dan Penn & Spooner Oldham) | I Stayed Away Too Long 2:37 (by Clarence Carter) |
MGM -AS SANDY POSEY- produced by Chips Moman | ||||
year | label | number | Side-A | side-B |
---|---|---|---|---|
1967 Oct. | MGM | K-13824 | Are You Never Coming Home (by Dan Penn & Spooner Oldham) | I Can Show You How To Live (by Sandy Posey) |
MGM -AS ROOSEVELT GRIER- produced by Chips Moman & Tommy Cogbill strings arranged by Mike Leech | ||||
year | label | number | Side-A | side-B |
---|---|---|---|---|
1967 Oct. | MGM | K-13840 | Spanish Harlem (by Leiber & Stoller) | I'm Living Good (by Dan Penn & Spooner Oldham) |
MALA -AS FLASH & BOARD OF DIRECTORS- produced by Chips Moman | ||||
year | label | number | Side-A | side-B |
---|---|---|---|---|
1967 Dec. | Mala | 586 | I Pray For Rain (by Dan Penn & Spooner Oldham) | When The Lovelight Is Shining (by Dan Penn & Spooner Oldham) |
AMY -AS ROSIE GRIER & THE FEARSOME FOURSOME- side-A produced by Chips Moman & Tommy Cogbill side-B produced by Chips Moman | ||||
year | label | number | Side-A | side-B |
---|---|---|---|---|
1967 Dec. | Amy | 11,004 | Who's Got The Ball (Y'all) (by Bobby Womac & Roosevelt Grier) | Half Time (by Chips Moman) |
SCEPTER -AS RONNIE MILSAP- produced by Chips Moman | ||||
year | label | number | side-A | side-B |
---|---|---|---|---|
1967 | Scepter | SCE- 12206 | The House Of The Rising Sun (adapt. by Chips Moman) | I Can't Tell A Lie (by ?) |
MINIT -AS BOBBY WOMACK- produced by Chips Moman | ||||
year | label | number | side-A | side-B |
---|---|---|---|---|
1967 | Minit | 32030 | Broadway Walk (by Dan Penn, Spooner Oldham, Clarence Carter & Bobby Womack) | Somebody Special (by Bobby Womack) |
WAND -AS THE MASQUERADERS- produced by Chips Moman | ||||
year | label | number | side-A | side-B |
---|---|---|---|---|
1967 | Wand | WND- 1168 | I Don't Want Nobody To Lead Me On (by Harold Thomas & Lee Jones) | Let's Face Facts (by ?) |
SOUND STAGE 7 -AS JAMO THOMAS- produced by Chips Moman & Jamo Thomas | ||||
year | label | number | side-A | side-B |
---|---|---|---|---|
1967 | Sound Stage 7 | 45- 2596 | Bahama Mama (Part 1) (by Jamo Thomas) | Bahama Mama (Part 2) (by Jamo Thomas) |
MALA -AS FLASH & BOARD OF DIRECTORS- produced by Chips Moman | ||||
year | label | number | Side-A | side-B |
---|---|---|---|---|
1968 Feb. | Mala | 594 | Busy Signal (by Mark James & David Bevis) | Love Ain't Easy (by Mark James & George Klein) |
BELL -AS MERRILEE RUSH & THE TURNABOUTS- side-A produced by Chips Moman & Tommy Cogbill side-B produced by Tommy Cogbill | ||||
year | label | number | side-A | side-B |
---|---|---|---|---|
1968 Feb. | Bell | 705 | Angel Of The Morning (by Chip Taylor) | Reap What You Sow (by Mark James) |
MGM -AS SANDY POSEY- side-A produced by Joe South side-B produced by Chips Moman | ||||
year | label | number | side-A | side-B |
---|---|---|---|---|
1968 Feb. | MGM | K-13892 | Something I'll Remember (by Buddy Buie & J. B. Cobb) | Silly Girl, Silly Boy (by Sandy Posey) |
AMY -AS LEE JONES AND THE SOUNDS OF SOUL- (members Lee Jones, Harold Thomas, Robert Wrightsil, Charlie Moore and David Sanders) side-A: produced by Chips Moman side-B: produced by Tommy Cogbill | ||||
year | label | number | side-A (Matrix :8476-BW) | side-B (Matrix :8477-BW) |
---|---|---|---|---|
1968 Mar. | Amy | AMY- 11008 | On The Other Side 2:40 (by Dan Penn, Spooner Oldham, Mark James & Alvin Howard) | This Heart Is Haunted 2:32 (by Harold Thomas & Harry Wheatly) |
AMY -AS ROOSEVELT GRIER- produced by Chips Moman & Tommy Cogbill | ||||
year | label | number | Side-A | side-B |
---|---|---|---|---|
1968 Apr. | Amy | 11,015 | C'Mon Cupid (by Roosevelt Grier, Lee Jones & Harold Thomas) | High Society Woman (by Roosevelt Grier) |
SCEPTER -AS B.J. THOMAS- produced by Chips Moman | ||||
year | label | number | Side-A | side-B |
---|---|---|---|---|
1968 May | Scepter | SCE- 12219 | The Eyes Of A New York Woman (by Mark James) | I May Never Get To Heaven (by Buddy Killen & Bill Anderson) |
SCEPTER -AS MARK JAMES- peoduced by Chips Moman +on B.M.I. Mark James | ||||
year | label | number | Side-A | Side-B |
---|---|---|---|---|
1968 Jul. | Scepter | SCE- 12221 | Suspicious Minds 2;47 (by F. Zambon+ ) | A Taste Of Heaven 1:55 (by F. Zambon+ ) |
AMY -AS ROOSEVELT GRIER- produced by Chips Moman & Tommy Cogbill | ||||
year | label | number | Side-A | side-B |
---|---|---|---|---|
1968 Jul. | Amy | 11,029 | People Make The World (by Bobby Womack) | Hard To Forget (by Emmons, Young, Chrisman & Leech) |
BELL -AS MERRILEE RUSH & THE TURNABOUTS- produced by Chips Moman & Tommy Cogbill side-A arranged by Mike Leech | ||||
year | label | number | Side-A | side-B |
---|---|---|---|---|
1968 Aug. | Bell | 738 | That Kind Of Woman (by Donna Weiss & Mary Unobskey) | Sunshine And Roses (by Mark James, George Klein) |
MGM -AS SANDY POSEY- produced by Chips Moman | ||||
year | label | number | Side-A | side-B |
---|---|---|---|---|
1968 Aug. | MGM | K-13967 | Ways Of The World (by Martha Sharp) | The Wonderful World Of Summer (by Dallas Frazier & A.L.Owens) |
SCEPTER -AS B.J. THOMAS- produced by Chips Moman | ||||
year | label | number | Side-A | side-B |
---|---|---|---|---|
1968 Oct. | Scepter | SCE- 12230 | Hooked On A Feeling (by Mark James) | I've Been Down This Road Before (by Mark James & Spooner Oldham) |
SCEPTER -AS RONNIE MILSAP- produced by Chips Moman | ||||
year | label | number | side-A | side-B |
---|---|---|---|---|
1968 | Scepter | SCE- 12228 | Do What You Gotta Do (by Jimmy Webb) | Mr Mailman (by Mark James) |
MINIT -AS BOBBY WOMACK- produced by Chips Moman arranged by Mike Leech | ||||
year | label | number | side-A | side-B |
---|---|---|---|---|
1968 | Minit | 32048 | Take Me (by Dee Irvin) | Fly Me To The Moon (by Bart Howard) |
WAND -AS THE MASQUERADERS- side-A produced by Chips Moman side-B produced by Tommy Cogbill | ||||
year | label | number | side-A | side-B |
---|---|---|---|---|
1968 | Wand | WND- 1172 | Sweet Lovin' Woman (by Harold Thomas & Lee Jones) | Do You Love Me Baby (by ?) |
MALA -AS THE BOX TOPS- produced by Chips Moman & Tommy Cogbill | ||||
year | label | number | side-A | side-B |
---|---|---|---|---|
1968 Dec. | Mala | 12,035 | Sweet Cream Ladies, Forward March (by B. Weinstein & Jon Stroll) | I See Only Sunshine (by Alex Chilton) |
COTILLION -AS THE DYNAMICS- produced by Chips Moman & Tommy Cogbill | ||||
year | label | number | side-A | side-B |
---|---|---|---|---|
1968 | Cotillion | 44004 | Ain't No Sun (Since You've Been Gone) (by Cornelius Grant, Norman Whitfield & Sylvia Moy) | Murder In The First Degree (by Ronnie Shannon) |
AGP -AS THE AMERICAN GROUP- produced by Chips Moman & Tommy Cogbill side-A strings arranged by Mike Leech | ||||
year | label | number | side-A (Matrix: 8859-BW) | side-B (Matrix: 8860-BW) |
---|---|---|---|---|
1968 | AGP | 105 | Enchillada Soul 2:33 (by Bobby Womack & Roosevelt Grier) | The High Times 2:16 (by Bobby Emmons, Johnny Christopher, Mike Leech & Reggie Young) |
AGP -AS SAM HUTCHINS- produced by Chips Moman & Tommy Cogbill | ||||
year | label | number | side-A | side-B |
---|---|---|---|---|
1968 | AGP | 106 | Dang Me (by Roger Miller) | I'm Tired Of Pretending (by James & Thomas) |
AGP -AS MERRILEE RUSH- produced by Chips Moman & Tommy Cogbill | ||||
year | label | number | side-A | side-B |
---|---|---|---|---|
1969 | AGP | 107 | Reach Out (by Holland, Dozier, Holland) | Love Street (by Mark James & George Klein) |
UNI -AS NEIL DIAMOND- side-A produced by Chips Moman & Tommy Cogbill side-B produced by Tom Catalano & Neil Diamond | ||||
year | label | number | Side-A | side-B |
---|---|---|---|---|
1969 Jan. | Uni | 55109 | Brother Love's Travelling Salvation Show (by Neil Diamond) | A Modern Day Version Of Love (by Neil Diamond) |
SCEPTER -AS B.J. THOMAS- produced by Chips Moman | ||||
year | label | number | Side-A | side-B |
---|---|---|---|---|
1969 Mar. | Scepter | SCE- 12244 | It's Only Love (by Mark James & Steve Tyrell) | You Don't Love Me Anymore (The Train Song) (by Mark James) |
SCEPTER -AS RONNIE MILSAP- produced by Chips Moman | ||||
year | label | number | side-A | side-B |
---|---|---|---|---|
1969 Apr. | Scepter | SCE- 12246 | Denver (by Dan Penn & Spooner Oldham) | Nothing Is As Good As It Used To Be (by Johnny Christopher) |
AGP -AS MERRILEE RUSH- produced by Chips Moman & Tommy Cogbill | ||||
year | label | number | side-A | side-B |
---|---|---|---|---|
1969 Apr. | AGP | 112 | Your Loving Eyes Are Blind (by Mark James, Glen Spreen & Wayne Carson Thompson) | Everyday Livin' Days (by Dan Penn & Wayne Carson Thompson) |
AGP -AS ROY HAMILTON- produced by Chips Moman & Tommy Cogbill | ||||
year | label | number | side-A | side-B |
---|---|---|---|---|
1969 Apr. | AGP | 113 | The Dark End Of The Street (by Dan Penn & Chips Moman) | 100 Years (From The Paramount Picture "Riot") 2:30 (by Robert Welis & Christopher Komeda) |
AGP -AS ROY HAMILTON- produced by Chips Moman & Tommy Cogbill | ||||
year | label | number | side-A (Matrix: 9219-BW) | side-B (Matrix: 9220-BW) |
---|---|---|---|---|
1969 | AGP | 116 | Angelica 3:15 (by Barry Mann & Cynthia Weil) | Hang - Ups2:40 (by Barry Mann & Cynthi Weil) |
AGP -AS ROY HAMILTON- produced by Chips Moman & Tommy Cogbill | ||||
year | label | number | side-A | side-B |
---|---|---|---|---|
1969 | AGP | 125 | It's Only Make Believe 3:10 (by B. Conway Twitty & Jack Nance) | 100 Years (From The Paramount Picture "Riot") 2:30 (by Robert Welis & Christopher Komeda) |
MALA -AS THE BOX TOPS- produced by Chips Moman & Tommy Cogbill | ||||
year | label | number | side-A | side-B |
---|---|---|---|---|
1969 Apr. | Mala | 12,038 | I Shall Be Released (by Bob Dylan) | I Must Be The Devil (by Alex Chilton) |
RCA -AS ELVIS PRESLEY- produced by Chips Moman (not credited) & Felton Jarvis with paper sleeve | ||||
year | label | number | side-A | side-B |
---|---|---|---|---|
1969 Apr. | RCA | 47- 9741 | In The Ghetto (by Mac Davis) | Any Day Now (by Bob Hilliard & Burt Bacharach) |
MALA -AS THE BOX TOPS- produced by Chips Moman & Tommy Cogbill | ||||
year | label | number | side-A | side-B |
---|---|---|---|---|
1969 Jun. | Mala | 12,040 | Soul Deep (by Wayne Carson Thompson) | The Happy Song (by Alex Chilton) |
MONUMENT -AS WAYNE CARSON- produced by Chips Moman An American Group Production arr. by Mike Leech & Glen Spreen | ||||
year | label | number | Side-A | side-B |
---|---|---|---|---|
1969 Aug. | Monu -ment | MN45- 1152 | (Don't Let The Sun Set On You) In Tulsa 3:09 (by Wayne Carson Thompson) | Soul Deep 2:20 (by Wayne Carson Thompson) |
RCA -AS ELVIS PRESLEY- produced by Chips Moman (not credited) & Felton Jarvis with paper sleeve | ||||
year | label | number | side-A | side-B |
---|---|---|---|---|
1969 Aug. | RCA | 47- 9764 | Suspicious Minds (by Mark James) | You'll Think Of Me (by Mort Shuman) |
WHITE WHALE -AS DENI LYNN- produced by Chips Moman | ||||
year | label | number | side-A | side-B |
---|---|---|---|---|
1969 Sep. | White Whale | WW- 328 | The Lights Of Night (by Bob Crewe & Larry Weiss) | You Taught Me (by Gene Simmons) |
UNI -AS NEIL DIAMOND- side-A produced by Tom Catalano & Tommy Cogbill side-B produced by Chips Moman & Tommy Cogbill | ||||
year | label | number | Side-A | side-B |
---|---|---|---|---|
1969 Oct. | Uni | 55175 | Holly Holy (by Neil Diamond) | Hurtin' You Don't Come Easy (by Neil Diamond) |
UK LONDON -AS DENI LYNN- produced by Chips Moman (uncredited) | ||||
year | label | number | Side-A | side-B |
---|---|---|---|---|
1969 Oct. | London U.K. | HLU- 10292 | The Lights Of Night (by Crewe, Weiss) | You Taught Me (by Simmons) |
SCEPTER -AS MARK JAMES- peoduced by Chips Moman | ||||
year | label | number | Side-A | Side-B |
---|---|---|---|---|
1969 | Scepter | SCE- 12257 | Candy 3:17 (by Mark James & Glen Spreen) | Sunday Rain 2;47 (by Mark James & Johnny Christpher) |
MONUMENT -AS WAYNE CARSON- produced by Chips Moman An American Group Production | ||||
year | label | number | Side-A | side-B |
---|---|---|---|---|
1970 Feb. | Monument | MN45-1192 | No Love At All 2:52 (by Wayne Carson Thompson & Johnny Christopher) | She's Got Everything I Need 2:00 (by Wayne Carson Thompson) |
BELL -AS THE BOX TOPS- produced by Chips Moman & Tommy Cogbill | ||||
year | label | number | side-A | side-B |
---|---|---|---|---|
1970 Mar. | Bell | BELL 865 | You Keep Tightening Up On Me (by Wayne Carson Thompson) | Come On Honey (by Alex Chilton) |
SCEPTER -AS B.J. THOMAS- side-A produced by Burt Bacharach & Hal David side-B produced by Chips Moman | ||||
year | label | number | Side-A | side-B |
---|---|---|---|---|
1970 Mar. | Scepter | SCE- 12277 | Everybody's Out Of Town (by Burt Bacharach & Hal David) | Living Again (by Mark James) |
DECCA -AS BRENDA LEE- produced by Chips Moman | ||||
year | label | number | Side-A | side-B |
---|---|---|---|---|
1970 May | Decca | 32675 | I Think I Love You Again (by Toni Wine & Irwin Levine) | Hello Love (by Reggie Young & Red Williams ) |
CHIPS -AS WEINSTEIN & STROLL- produced by Chips Moman | ||||
year | label | number | Side-A | side-B |
---|---|---|---|---|
1970 May | Chips | 2837 | Looking At Life (by Bob Weinstein & Jon Stroll) | The Cat Was A Junkie (by Bob Weinstein & Jon Stroll) |
SCEPTER -AS B.J. THOMAS- side-A produced by Chips Moman side-B produced by Burt Bacharach & Hal David | ||||
year | label | number | Side-A | side-B |
---|---|---|---|---|
1970 Jun. | Scepter | SCE- 12283 | I Just Can't Help Believing (by Barry Mann & Cynthia Weil) | Send My Picture To Scranton, PA (by Burt Bacharach & Hal David) |
TRUMP -AS THE SUNSHINE TROLLER- produced by Chips Moman & Tommy Cogbill | ||||
year | label | number | Side-A | side-B |
---|---|---|---|---|
1970 Aug. | Trump promo | PRO- 5095 5096 | Cover Me Babe(from the 20th Century Fox Film "Cover Me Babe") 3:05> (by F. Karlin & R. Newman) | It's Gotta Be Real (by L. Ramos) |
TRUMP -AS THE SUNSHINE TROLLER- produced by Chips Moman & Tommy Cogbill | ||||
year | label | number | Side-A (Matrix :S45-75???) | side-B |
---|---|---|---|---|
1970 Aug. | Trump | 2890 | Cover Me Babe(from the 20th Century Fox Film "Cover Me Babe") 3:05> (by F. Karlin & R. Newman) | It's Gotta Be Real (by L. Ramos) |
CHIPS -AS RED WILLIAMS- produced by Chips Moman (no-credit) | ||||
year | label | number | side-A | side-B |
---|---|---|---|---|
1970 Sep. | Chips promo | PRO- 6010 | Jesus Jones 2:39 (by Red Williams & Reggie Young ) | The Wall (by Red Williams & Reggie Young ) |
CHIPS -AS RED WILLIAMS- produced by Chips Moman (no-credit) | ||||
year | label | number | side-A (Matrix :S45-75104) | side-B (Matrix :S45-75105) |
---|---|---|---|---|
1970 Sep. | Chips | 2911 | Jesus Jones 2:39 (by W. Williams & R. Young) | The Wall (by W. Williams & R. Young) |
CHIPS -AS RONNIE MILSAP- produced by Chips Moman | ||||
year | label | number | side-A | side-B |
---|---|---|---|---|
1970 | Chips | 2987 | A Rose By Any Other Name (Is Still A Rose) 2:32 (by Toni Wine & Irwin Levine) | Sermonette 2:10 (by Mike Leech & Johnny Christopher) |
DECCA -AS BRENDA LEE- produced by Chips Moman | ||||
year | label | number | side-A (Matrix :S45-75118) | side-B (Matrix :S45-75119) |
---|---|---|---|---|
1970 Sep. | Decca | 32734 | Sisters In Sorrow (by Toni Wine & Irwin Levine) | Do Right Woman, Do Right Man (by Dan Penn & Chips Moman) |
BELL -AS THE BOX TOPS- produced by Chips Moman | ||||
year | label | number | side-A | side-B |
---|---|---|---|---|
1970 Oct. | Bell | BELL 923 | Let Me Go (by Randy Newman) | Got To Hold On To You (by Bobby Emmons) |
SCEPTER -AS B.J. THOMAS- side-A produced by Buddy Buie & Steve Tyrell side-B produced by Chips Moman | ||||
year | label | number | Side-A | side-B |
---|---|---|---|---|
1970 Nov. | Scepter | SCE- 12299 | Most Of All (by Buddy Buie & Cobb) | The Mask (by Mark James) |
BELL -AS THE BOX TOPS- produced by Chips Moman & Tommy Cogbill | ||||
year | label | number | side-A | side-B |
---|---|---|---|---|
1971 Mar. | Bell | BELL 981 | King's Highway (by Wayne Carson Thompson) | Since I Been Gone (by Alex Chilton) |
ENTRANCE -AS CYMARRON- side-A produced by Chips Moman side-B produced by Hayward Bishop | ||||
year | label | number | side-A | side-B |
---|---|---|---|---|
1971 Apr. | Entrance | ZS7 7500 | Rings (by Ellen Reeves & Alex Harvey) | Like Children (by Rick Yancey) |
ENTRANCE -AS STEVE ALAIMO- produced by Chips Moman | ||||
year | label | number | side-A | side-B |
---|---|---|---|---|
1971 Jun. | Entrance | ZS7 7501 | When My Little Girl Is Smiling (by Carol King & Gerry Goffin) | Gemini (by Bobby Emmons) |
ENTRANCE -AS CYMARRON- produced by Chips Moman | ||||
year | label | number | side-A | side-B |
---|---|---|---|---|
1971 Sep. | Entrance | ZS7 7502 | Valerie (by Richard Mainegra) | Across The Kansas Sky (by S. Parks) |
ENTRANCE -AS STEVE ALAIMO- produced by Chips Moman | ||||
year | label | number | side-A | side-B |
---|---|---|---|---|
1971 Oct. | Entrance | ZS7 7503 | Nobody's Fool (by Dan Penn & Bobby Emmons) | Thorn In Our Roses (by Bobby Emmons) |
ENTRANCE -AS LITTLE PEOPLE (TONI WINE & STEVE ALAIMO)- produced by Chips Moman | ||||
year | label | number | side-A | side-B |
---|---|---|---|---|
1972 | Entrance | ZS7- 7504 | I Don't Want To Go On Without You 2:05 (by Burt Burns & Jerry Wexler) | You Really Got A Hold On Me 2:03 (by Smokey Robinson) |
ENTRANCE -AS STEVE ALAIMO- produced by Chips Moman | ||||
year | label | number | side-A | side-B |
---|---|---|---|---|
1972 Mar. | Entrance | ZS7 7507 | Amerikan Music (by J. Carlton & W. White) | Nobody's Fool (by Dan Penn & Bobby Emmons) |
ENTRANCE -AS BILLY LEE RILEY- produced by Chips Moman | ||||
year | label | number | side-A | side-B |
---|---|---|---|---|
1972 Jun. | Entrance | ZS7 7508 | I Got A Thing About You Baby (by Tony Joe White) | You Don't Love Me (by W. Cobbs) |
ENTRANCE -AS J. LEE RICHARDSON- produced by Chips Moman | ||||
year | label | number | side-A | side-B |
---|---|---|---|---|
1972 | Entrance | ZS7- 7509 | We Can Make It Together (by J. L. Richardson, T. Jackson) | Next Door Love (by J. L. Richardson, T. Jackson) |
ENTRANCE -AS TONI WINE- produced Chips Moman at American Recording Studio | ||||
year | label | number | side-A(Matrix:JZS7-7510-3) | side-B |
---|---|---|---|---|
1972 Aug. | Entrance promo | ZS7- 7510 | Long Distance Kissin' (stereo) 2:44 (by Toni Wine) | Long Distance Kissin' (mono) 2:44 (by Toni Wine) |
ENTRANCE -AS TONI WINE- produced Chips Moman at American Recording Studio | ||||
year | label | number | side-A | side-B |
---|---|---|---|---|
1972 Aug. | Entrance | ZS7- 7510 | Long Distance Kissin' 2:44 (by Toni Wine) | Old Dependable Me 2:20 (by Tony Wine & Tony Macauley) |
ENTRANCE -AS MITTY COLLIER- produced by Chips Moman | ||||
year | label | number | side-A | side-B |
---|---|---|---|---|
1972 | Entrance | ZS7- 7512 | I'd Like To Change Places With His Part Time Lover (by Mitty Collier & A. Spector) | If This Is Our Last Time (by D. Frazier) |
MERCURY -AS ROGER MILLER- produced by Chips Moman | ||||
year | label | number | side-A | side-B |
---|---|---|---|---|
1972 | Mercury | 73354 | The Day I Jumped From Uncle Harvey's Plane (by ?) | Hoppy's Gone (by ?) |
WARNER BROS. -AS TONI WINE- produced by Chips Moman | ||||
year | label | number | side-A (Matrix:RTN0310-S) | side-B |
---|---|---|---|---|
1973 Aug. | Warner Bros. promo | WB- 7729 | My Point Of View(stereo) 2:03 (by Toni Wine & Carol Sager) | My Point Of View (mono) 2:03 (by Toni Wine & Carol Sager) |
WARNER BROS. -AS TONI WINE- produced by Chips Moman | ||||
year | label | number | side-A (Matrix:RTN0310-S) | side-B |
---|---|---|---|---|
1973 Aug. | Warner Bros. | WB- 7729 | My Point Of View 2:03 (by Toni Wine & Carol Sager) | Forever's Only Been A Day (by Toni Wine) |
WARNER BROS. -AS TONI WINE- produced by Chips Moman | ||||
year | label | number | side-A (Matrix:RTN0309-S) | side-B |
---|---|---|---|---|
1974 | Warner Bros. promo | WB- 7757 | Sugar Is Sweeter(stereo) 2:13 (by Toni Wine) | Sugar Is Sweeter (mono) 2:13 (by Toni Wine) |
WARNER BROS. -AS TONI WINE- produced by Chips Moman | ||||
year | label | number | side-A (Matrix:RTN0309-S) | side-B |
---|---|---|---|---|
1974 | Warner Bros. | WB- 7757 | Sugar Is Sweeter 2:13 (by Toni Wine) | Forever's Only Been A Day (by Toni Wine) |
WARNER BROS. -AS LYNDA K. LANCE- produced by Chips Moman | ||||
year | label | number | side-A | side-B |
---|---|---|---|---|
1974 Jun. | Warner Bros. | WB- 7827 | Long Distance Kissing (by Tony Joe White) | It's No Laughing Matter (by Mark James) |
ABC -AS B.J. THOMAS- produced by Chips Moman arranged by Mike Leech | ||||
year | label | number | side-A | side-B |
---|---|---|---|---|
1975 Feb. | ABC | ABP- 12054 | (Hey Won't You Play) Another Somebody Done Somebody Wrong Song (by Chips Moman & Larry Butler) | City Boys (by William Louis Dean) |
ABC -AS B.J. THOMAS- produced by Chips Moman arranged by Mike Leech | ||||
year | label | number | side-A | side-B |
---|---|---|---|---|
1975 | ABC | ABP- 12121 | Help Me Make It (To My Rockin' Chair) (by Bobby Emmons) | We Are Happy Together (by Chips Moman & Mark James) |
PRIVATE STOCK -AS TONI WINE- produced by Chips Moman | ||||
year | label | number | side-A | side-B |
---|---|---|---|---|
1975 | Private Stock | PS- 45,032 | Maybe My Baby Will (stereo) (by Toni Wine) | Maybe My Baby Will (mono) (by Toni Wine) |
PRIVATE STOCK -AS SUSAN TAYLOR- produced by Chips Moman arranged by Mike Leech | ||||
year | label | number | side-A | side-B |
---|---|---|---|---|
1975 | Private Stock | PS- 45,042 | Crying In The Rain (stereo) (by Carole King & Howard Greenfield) | Crying In The Rain (mono) (by Carole King & Howard Greenfield) |
WARNER BROS. -AS RONNIE MILSAP- side-A produced by Chips Moman side-B produced by Dan Penn | ||||
year | label | number | Side-A | side-B |
---|---|---|---|---|
1975 | Warner Bros. | WBS- 8160 | A Rose By Any Other Name (by Toni Wine & Irwin Levine) | Please Don't Tell Me How The Story Ends (by Kris Kristofferson) |
PRIVATE STOCK -AS TONI WINE- produced by Chips Moman arranged by Mike Leech | ||||
year | label | number | side-A | side-B |
---|---|---|---|---|
1975 Nov. | Private Stock | PS- 45,047 | Forever's Only Been A Day (stereo) (by Toni Wine) | Forever's Only Been A Day (mono) (by Toni Wine) |
WARNER BROS. -AS SANDY POSEY- produced by Chips Moman | ||||
year | label | number | Side-A | side-B |
---|---|---|---|---|
1976 Nov. | Warner Bros. | WBS- 8289 | Long Distance Kissing (by Toni Wine) | It's Midnight (Do You Know Where Your Baby Is?) (by Bobby Emmons) |
MONUMENT -AS TONI WINE- produced by Chips Moman | ||||
year | label | number | side-A | side-B |
---|---|---|---|---|
1977 | Monument promo | 45- 217 | The Heart(stereo) 3:03 (by Dan Penn, Chips Moman & Bobby Emmonds) | The Heart (mono) 3:03 (by Dan Penn, Chips Moman & Bobby Emmonds) |
MONUMENT -AS TONI WINE- produced by Chips Moman | ||||
year | label | number | side-A | side-B |
---|---|---|---|---|
1977 | Monument | 45- 217 | The Heart 3:03 (by Dan Penn, Chips Moman & Bobby Emmonds) | I Got My Baby Right Where He Wants Me 2:50 (by Toni Wine & Chips Moman) |
RCA -AS WAYLON JENNINGS- produced by Chips Moman | ||||
year | label | number | side-A | side-B |
---|---|---|---|---|
1977 Apr. | RCA | PB- 10924 | Luckenbach, Texas (Back To The Basics Of Love) (by Chips Moman & Bobby Emmonds) | Belle Of The Ball (by Waylon Jennings) |
UK MONUMENT -AS TONI WINE- produced by Chips Moman | ||||
year | label | number | side-A | side-B |
---|---|---|---|---|
1977 Jul. | Monument UK | S MNT 5359 | The Heart 3:03 (by Dan Penn, Chips Moman & Bobby Emmonds) | I Got My Baby Right Where He Wants Me 2:50 (by Toni Wine & Chips Moman) |
RCA -AS WAYLON JENNINGS- produced by Chips Moman | ||||
year | label | number | side-A | side-B |
---|---|---|---|---|
1977 Sep. | RCA | PB- 11118 | The Wurlitzer Prize (I Don't Want To Get Over You) (by Chips Moman & Bobby Emmonds) | Lookin' For A Feeling (by Waylon Jennings) |
PRIVATE STOCK -AS BILLY JOE ROYAL- produced by Chips Moman | ||||
year | label | number | side-A | side-B |
---|---|---|---|---|
1978 | Private Stock | PS 45,192 | Under The Boardwalk (by Arthur Resnick & Kenny Young) | Precious Time (by Chips Moman & Bobby Emmons) |
RCA -AS GARY STEWART- produced by Chips Moman | ||||
year | label | number | side-A | side-B |
---|---|---|---|---|
1980 Sep. | RCA | JB- 12081 | Roarin' (by Mike Lawler & Johnny Cobb) | Are We Dreamin' The Same Dream (by Billy Burnette & Johnny Christopher) |
EPIC -AS TAMMY WYNETTE- produced by Chips Moman strings arranged by Mike Leech | ||||
year | label | number | side-A | side-B |
---|---|---|---|---|
1981 Feb. | Epic | 19- 51011 | Cowboys Don't Shoot Straight (Like They Used To) (by Chips Moman & Bobby Emmons) | You Brought Me Back (by Billy Burnette) |
KAT FAMILY -AS BILLY JOE ROYAL (Accompanied By TONI WINE)- produced by Chips Moman | ||||
year | label | number | side-A | side-B |
---|---|---|---|---|
1981 May | Kat Family | WS8- 02074 | You Really Got A Hold On Me3:20 (stereo) (by Smokey Robinson) | You Really Got A Hold On Me3:20 (mono) (by Smokey Robinson) |
EPIC -AS TAMMY WYNETTE- produced by Chips Moman | ||||
year | label | number | side-A | side-B |
---|---|---|---|---|
1981 Aug. | Epic | 14- 02439 | Crying In The Rain (by Carol King & Howard Greenfield) | Bring Back My Baby To Me (by Tammy Wynette) |
COLUMBIA -AS WILLIE NELSON- produced by Chips Moman | ||||
year | label | number | side-A | side-B |
---|---|---|---|---|
1983 | Columbia | 38- 03965 | Why Do I Have To Choose (by Willie Nelson) | Would You Lay With Me (In A Field Of Stone) (by David Allan Coe) |
COLUMBIA -AS WILLIE NELSON- produced by Chips Moman | ||||
year | label | number | side-A | side-B |
---|---|---|---|---|
1986 | Columbia | 38- 06530 | Partners After All (by Chips Moman & Bobby Emmons) | Home Away From Home (by Bobby Emmons) |
AMERICA SMASH -AS CARL PERKINS- produced by Chips Moman | ||||
year | label | number | side-A | side-B |
---|---|---|---|---|
1986 | America Smash | 888- 142-7 | Class Of '55 (by Chips Moman & Bobby Emmons) | ? (by ?) |
COLUMBIA -AS WILLIE NELSON- produced by Chips Moman | ||||
year | label | number | side-A | side-B |
---|---|---|---|---|
1987 Feb. | Columbia | 38- 07007 | Heart Of Gold (by Neil Young) | So Much Like My Dad (by Chips Moman & Bobby Emmons) |
COLUMBIA -AS JOHNNY CASH- side-A produced by Johnny Cash & Charlie Bragg side-B produced by Chips Moman | ||||
year | label | number | side-A | side-B |
---|---|---|---|---|
1989 | Columbia | 38- 069067 | Ragged Old Flag (by Johnny Cash) | I'm Leaving Now (by Johnny Cash) |